Slap ass and spit
ไฮไลต์ชุมชน
สำรวจสิ่งที่ผู้สร้างกำลังสร้างด้วย Ricebowl AI
เลื่อนเมาส์เพื่อดูตัวอย่างพร้อมเสียงบนเดสก์ท็อป เลื่อนหน้าจอบนอุปกรณ์มือถือ และเปิดการ์ดใดก็ได้เพื่อดูคำแนะนำ พารามิเตอร์ และเครื่องมือแชร์
The person in reference image 1 sits on a plain wooden chair in the middle of an empty desert, facing the camera, with the same face, hair and clothes as reference image 1. The sun is behind the camera, the face is brightly lit, eyes open looking into the camera. A big black unbranded SUV with a plain smooth front grille and no badge is already speeding toward the camera from the first second, hits a small sand ramp right behind the chair and jumps high into the air, flying over the chair just above the head of the person in reference image 1, and keeps flying on over the camera and out of the top of the frame. The person in reference image 1 stays seated and calm the whole time. Low-angle vertical medium shot from the ground, static camera, the person in reference image 1 fills the lower half of the frame. No other people, no text. Unbranded car, no logos, no badges, no emblems, no license plate. Audio: punchy action drums with a roaring engine, no lyrics, no dialogue.
Siap kak, ini lanjutan ketikan dari 4 gambar terakhir yang kakak kirim: --- Pembengkokan kardus yang akurat. Goresan mikro. Konstruksi kardus berlapis. Penyelarasan tepi yang sempurna. Estetika teknik buatan tangan profesional. *AUDIO* ASMR murni. Pemotongan kardus. Gesekan kertas. Pelipatan kardus. Pengaplikasian lem. Ketukan lembut. Gerakan jari. Kardus yang disatukan. Pembersihan debu. Tanpa narasi. Tanpa suara. Tanpa musik. *ATURAN KONTINUITAS* Latar belakang tetap identik dari bingkai pertama hingga terakhir. Pencahayaan tidak pernah berubah. Bahasa kamera tetap konsisten. Tangan yang sama tetap ada di sepanjang video. Warna kardus tidak pernah berubah. Setiap komponen hanya muncul setelah dibangun. Objek tumbuh secara alami sepotong demi sepotong. Tidak ada langkah konstruksi yang hilang. Tidak ada kesalahan kontinuitas. *PERINGATAN NEGATIF* Hindari: bingkai buram kualitas rendah berkedip tampilan CGI gaya kartun gaya anime proporsi objek yang tidak konsisten jari tambahan jari hilang tangan tambahan bagian yang diduplikasi objek melayang karton melengkung karton dicat karton berwarna bagian tubuh plastik papan busa konstruksi yang belum selesai kontinuitas yang rusak perubahan latar belakang meja kayu alas potong bengkel dinding interior ruangan teks keterangan subtitle logo tanda air guncangan kamera rotasi kamera anatomi yang buruk perubahan pencahayaan perubahan bentuk objek skala yang tidak konsisten fisika yang tidak realistis tekstur detail rendah
The person in reference image 1 sits on a plain wooden chair in the middle of an empty desert, facing the camera, with the same face, hair and clothes as reference image 1. The sun is behind the camera, the face is brightly lit, eyes open looking into the camera. A white pickup truck is already speeding toward the camera from the first second, hits a small sand ramp right behind the chair and jumps high into the air, flying over the chair just above the head of the person in reference image 1, and keeps flying on over the camera and out of the top of the frame. The person in reference image 1 stays seated and calm the whole time. Low-angle vertical medium shot from the ground, static camera, the person in reference image 1 fills the lower half of the frame. No other people, no text, no logos. Audio: punchy action drums with a roaring engine, no lyrics, no dialogue.
Recreate the reference video with new people: the person on the left becomes the person in image 1, the person on the right becomes the person in image 2. Keep their faces, hair and clothing faithful to the photos and never swap or merge them. Keep everything else from the reference video: the plain solid orange studio wall, the single hanging microphone between them, the camera framing, their moves, gestures and rhythm. No text, no logos, no captions.
Recreate the reference video with new people: the person on the left becomes the person in image 1, the person on the right becomes the person in image 2. Keep their faces, hair and clothing faithful to the photos and never swap or merge them. Keep everything else from the reference video: the plain solid orange studio wall, the single hanging microphone between them, the camera framing, their moves, gestures and rhythm. No text, no logos, no captions.
Recreate the reference video with new people: the person on the left becomes the person in image 1, the person on the right becomes the person in image 2. Keep their faces, hair and clothing faithful to the photos and never swap or merge them. Keep everything else from the reference video: the plain solid orange studio wall, the single hanging microphone between them, the camera framing, their moves, gestures and rhythm. No text, no logos, no captions.
Recreate the reference video with new people: the person on the left becomes the person in image 1, the person on the right becomes the person in image 2. Keep their faces, hair and clothing faithful to the photos and never swap or merge them. Keep everything else from the reference video: the plain solid orange studio wall, the single hanging microphone between them, the camera framing, their moves, gestures and rhythm. No text, no logos, no captions.
Recreate the reference video with new people: the person on the left becomes the person in image 1, the person on the right becomes the person in image 2. Keep their faces, hair and clothing faithful to the photos and never swap or merge them. Keep everything else from the reference video: the plain solid orange studio wall, the single hanging microphone between them, the camera framing, their moves, gestures and rhythm. No text, no logos, no captions.
Recreate the reference video with new people: the person on the left becomes the person in image 1, the person on the right becomes the person in image 2. Keep their faces, hair and clothing faithful to the photos and never swap or merge them. Keep everything else from the reference video: the plain solid orange studio wall, the single hanging microphone between them, the camera framing, their moves, gestures and rhythm. No text, no logos, no captions.
It aumsum time What if Sprunki Disappeared?
9:16, sinematik, fotorealistik. Seorang ayah berdiri melihat dua anaknya datang sebagai zombi. Ayah tak lari, terus peluk mereka erat. Tiba-tiba berubah jadi kenangan indah — anak-anak sihat, ceria, bahagia bersama ayah di bawah cahaya matahari. Kemudian kembali ke masa kini: tetap berpeluk, ayah sayang kamu berdua selamanya.
